Aamir Review {4.0/5} & Review Rating
Sometimes a small movie could make a huge effect. For no explicit motive, someway one feels that Aamir can be one such movie. Even although the movie arrives sans any media hype or promotion, there’s something about this manufacturing that makes one stay up for what does the movie and its music have to supply. Though one would not count on the movie’s lead Rajeev Khandewal to be dancing to the tunes created by Amit Trivedi with lyrics by Amitabh, there are expectations of a top quality soundtrack within the providing which might go properly as part of the background rating.
Welcome to a Qawalli outing with Murtuza-Qadir, Amitabh and Amit Trivedi teaming up behind the mike for ‘Ha Raham (Mehfuz)‘. Instead of a standard Qawalli with a daily sound, ‘Ha Raham‘ certainly takes a unique route. Though the essence stays simply what one expects from a Qawalli, it’s the serene feeling, some highly effective lyrics and soulful singing which makes it a lower above the remainder. One needs the observe is positioned appropriately within the movie’s narrative for the utmost affect.
In his subsequent tune for Aamir, Amit Trivedi takes a folks route and creates the type of sound that one has been uncovered by the band Euphoria or Kailash Kher. Amit additionally comes behind the mike for this quick paced quantity that stays connected to its ethnic route with some unconventional lyrics that make one research the tune nearer. It would have been fascinating had a music video been created round it.
Amit continues to play the dual function of composer and singer with ‘Haara‘ and this time round he modulates his voice to go together with the smooth rock temper of the tune. The tune manages to create a haunting atmosphere that goes properly with the type of psyche that the lead protagonist within the movie goes by. There is a segregated sound on this 4:half-hour tune which does not comply with a linear musical sample and as a substitute concentrates on the horrible state of affairs that protagonist finds himself in.
‘Phas Gaya (Never Mind)‘ is the very best tune of the enterprise to return after ‘Ha Raham‘. An modern piece of music which has a western base to it, ‘Phas Gaya‘ is crooned excellently by Neuman Pinto who does excellent justice to the brand new age sound created by Amit Trivedi. Yet once more a observe which takes an viewers into the thoughts of the lead protagonist, it has a pop really feel to it and is an efficient hear even exterior the movie’s narrative.
For the primary time within the album, a feminine voice is heard as soon as ‘Ek Lau‘ begins. Shlipa Rao is the chosen one as she pairs up with Amitabh for this quantity that hardly has an instrument within the background for many a part of its ~5 minutes period. Yet once more, Amitabh spins poetry for this tune which has a tragic theme to it. Towards the tip of the tune, Amitabh makes his presence felt along with his repeated rendition of ‘Ek Lau Zindagi Ki Bujhi Kyon Mere Maula‘.
Finally comes the climax theme by Marianne D’Cruz Aiman & Jeetendra Thakur (who performs the violin). A six minute piece which has a global base to it and is paced fairly slowly to carry on a haunting really feel to the proceedings, the climax theme right here is totally different from the type that one usually associates with a Bollywood product. Truly totally different and enchanting, it could be certain that nobody strikes when it performs for the massive display. Lastly, there are bonus songs from Khuda Kay Liye [‘Allah’, ‘Bandya O Bandya‘] and Kailash Kher’s ‘Dilruba‘ and ‘Chaap Tilak‘ which carry the album to an in depth.
Aamir is not a type of album which might make a lot affect the music stands. However, the type of sound it carries may fit properly with those that are in search of one thing unconventional within the providing. Amit Trivedi and Amitabh do properly in sticking to the movie’s style and create a soundtrack which fits properly with the movie’s theme.
